Monday, 9 November 2015

research into genre (psychological thriller)

RESEARCH IN GENRE
(PSYCHOLOGICAL THRILLER)


Conventions of psychological thrillers:
      Colours: normally dark, dull, unsaturated colours. This is done to emphasis the tensions and illusion of the film. It’s also used to sometimes represent the characters as dark and mysterious. Conventional colours would be grey or black, and these colours connote death (people in mourning), mysteriousness, and can also connote the power the antagonist seeks over their victim.
      Images (particular scenes): sometimes you see a killer looking tired and fatigued with baggy eyes and a raged look in general. Normally the antagonist is seeking revenge on somebody that has done something to them. The antagonist normally targets the protagonist’s family to use as ransom to get what they want. The antagonists commonly find themselves washing their hands or cleaning themselves.
      Locations: woods, cellars, abandoned houses, occasionally regular day-to-day places. However normally, the locations chosen are isolated and deserted places. This is done to suggest that nobody can help the victims of whatever is happening to the victims. This may also be done to represent the antagonist as lonely, private and enigmatic. 
      Props:  knives, guns, torture equipment, mobile phones to use as they blackmail their victims. Commonly use to make the actions scene more violent and graphic. Using weapons make it easier to use blood in the scenes, which highlight the gruesomeness of the antagonists.
      Costumes: the typical costumes wouldn’t be anything different than the everyday costumes you would see in the street. This is because the antagonists want to make themselves seem normal as if they aren’t doing anything wrong.
      Music: the sounds and music during psychological thriller s normally have slow beginnings and make the scene feel mysterious and illusive. However, half way through the movie, more commonly during the action parts, the tempo of the sounds pick up and become more dramatic to build up tension in the audiences mind and body.
 Psychological thrillers commonly have asynchronous sounds (music or sounds that aren’t in sync with the visuals). This is used to almost make the audience feel confused and disoriented, to represent how the actors inside the film are feeling as well. This engages the audience more due to the fact that it gives them a better experience of the film as if they are witness what is happening in real life.
This asynchronous music is often used as non-diegetic music, instead of diegetic. Non-diegetic music is sounds that can be heard by the audience but the characters in the film, in contrast to diegetic music, which are sounds that can be heard by the characters inside the film as well. Non-diegetic music is used to emphasis what the characters are feeling inside, rather than what they can actually hear in the film. The audience get more of an understanding as to how they are feeling because the music builds tension.
      Characters: in conventional psychological thrillers, there is a common use of binary opposites. Theorist Claude Levi Strauss believes that good stories have conflict driven by two characters who are completely opposite (binary opposites) e.g. good vs. bad, men vs. women, younger vs. old.  This applies to psychological thriller, in a way that conventionally, the protagonist is a young sweet and innocent female who is targeted by an older, evil, mentally twisted male (antagonists). However, some psychological thrillers challenge these stereotypical representations. A good example of this would be the 2014 production of Gone Girl.
      Another conventional character you would find in psychological thrillers is a directive or a crime solver. This character conventionally plays the role of the protagonists and goes against the antagonist. This audience normally is on the side of this character and  comes out on top at the end of the film. "saves the day" 

Conventional actors/ production companies/ directors: In some film genres, there conventions actors and directors. For example, Jack Black is commonly known for featuring in comedy film, as well as Christian Bale being known for appearing in action films. In the psychological genre, there are not commonly known actors who are only known for being in this specific genre. However, the are certain production companies and directors who have made a name for themselves in this genre. Alfred Hitchcock is one of the most famous directors in this genre due to his direction of the 1960 movie Psycho. Another conventional director in the psychological thriller genre would be David Fincher. He is commonly known for his production of the 2000 film Se7en, and more recently Gone Girl. Along with David Fincher and Alfre Hitchcock, James Wan would because a well known director in this genre of film, as he was the director of the well know film franchise Saw.
Conventional production companies of psychological thrillers would include the production company of Saw, Twisted Pictures. There were many different Saw films, and over the years since 2003, they have built a reputation for being associated with the film, hence why all audiences automatically think of the production company being a psychological thriller production company. Another convention company would be Hammer Film Productions, due to their recent productions of The Woman in Black and The Quiet Ones.

Themes tackled in psychological thrillers:
   Love: love is commonly featured in psychological thrillers. The elements of love is normally used as an excuse/ reason for the antagonist to be doing what they are doing. For example, the male antagonist may kidnap a woman, due to the fact that he is in love with her and want her to himself.
   Revenge: revenge can also be used as an excuse. Often, the antagonist has had a bad past experience, and seeks revenge on either a specific person, or maybe society in general. This is present in the Saw franchise, where's the antagonist punishes those who have done bad things to other people in society.
   Mental health: this is a key the,e tackled in most psychological thrillers. The mental health of the antagonist is conventionally called into question , and commonly the reason for conflict in this genre. Any character in these type of films who has a mental health problem, is normally the cause of any dilemmas and situation.
Reasons why audiences enjoy psychological thrillers:
Audiences enjoy psychological thrillers for many different reasons. Theorist Steve Neale came up  with a theory that audience enjoy specific genres due to the repetition of differentiation of the film. Neale suggests that audiences enjoy certain genres due to the fact that they either repeat the conventional elements of the genre, or that that the film tries to differentiate from the conventional elements. This could link to why audiences enjoy psychological thrillers. They could enjoy it because they like to see the classic plot that is conventionally found in that genre and want to see a clear protagonist (in this case a victim) and and antagonist (the "psycho"/ bad guy). On the other hand, they could enjoy watching psychological thrillers because they enjoy seeing various different versions of different plots and stories.
According to Blumber and Katz's Uses and Gratifications Theory, audiences use media text (watch films) for different needs. This different needs are; escape (and escape from their normal lives), entertainment, education and information, social interaction (something that'll help them communicate with others) and self actualisation (to the individual find there personality). In some cases in the film industry, the production  and direction of the film is based on true stories and aren't a made up plot. This could link to the audience watching psychological thrillers to achieve information and education. Audiences may want to find out what real people do and find out real stories that occur in the world, as well as achieving entertainment.


 Good examples of psychological thrillers:



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